Sari, Shelly Novita (2026) Representasi Praktik Ilmu Hitam pada Budaya Kalimantan dalam Film “Racun Sangga: Santet Pemisah Rumah Tangga”. (The Representation of Black Magic Practices in Kalimantan Culture in the Film “Racun Sangga: Santet Pemisah Rumah Tangga”). Undergraduate thesis, Universitas 17 Agustus 1945 Surabaya.
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Abstract
This study uses Roland Barthes' semiotic approach and Stuart Hall's representation theory to uncover the representation of black magic practices in Kalimantan culture in the film Racun Sangga: Santet Pemisah Rumah Tangga. This film was selected because it portrays a compelling narrative about the local beliefs of Kalimantan society regarding black magic practices believed to be capable of harming and separating married couples. This study examines scenes, dialogues, visual symbols, and cultural elements in the film, analyzing the meanings of denotation, connotation, and myth using Roland Barthes' semiotics. Scenes containing signs of racun sangga's presence, its physical and psychological impact on victims, the destruction of marriage, and Kalimantan's traditional healing system became the primary focus of analysis. Through the representational process built by this film, the meaning is constructed that racun sangga is a real and living cultural reality in the lives of Kalimantan society, not merely superstition. Magical liquid, cacak burung signs, Baharagu ceremony, and sangga leaf concoctions are all presented as symbols of the belief system, local wisdom, and rich cultural identity of Kalimantan. According to the researcher, the film Racun Sangga: Santet Pemisah Rumah Tangga represents black magic practices in Kalimantan culture through strong symbolic and mythological language, constructing an image of racun sangga as a cultural reality in the eyes of viewers, while also filling the void of local cultural representation that has long been dominated by Javanese culture in Indonesian horror films. It is hoped that these findings can enrich the study of local cultural representation in film media and encourage further research on traditional beliefs of Indonesian society that have not been widely studied.
| Item Type: | Thesis (Undergraduate) |
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| Uncontrolled Keywords: | Representation, Black Magic Practices, Racun Sangga, Kalimantan Culture, Roland Barthes Semiotics, Indonesian Horror Film |
| Subjects: | H Social Sciences > H Social Sciences (General) |
| Divisions: | Fakultas Ilmu Sosial dan Ilmu Politik > Program Studi Ilmu Komunikasi |
| Depositing User: | 1152200222 Shelly Novita Sari |
| Date Deposited: | 05 Nov 2026 02:46 |
| Last Modified: | 05 Nov 2026 02:46 |
| URI: | http://repository.untag-sby.ac.id/id/eprint/46875 |
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