Juniati, Iis (2026) Dinamika Peran Gender dalam Ruang Domestik pada Film 1 Kakak 7 Ponakan. (Dynamics of Gender Roles in Domestic Space in the Film 1 Brother 7 Nieces). Undergraduate thesis, Universitas 17 Agustus 1945 Surabaya.
|
Text (ABSTRAK)
ABSTRAK .pdf Download (15MB) | Preview |
|
![[img]](http://repository.untag-sby.ac.id/style/images/fileicons/text.png) |
Text (BAB I)
repository BAB-1 .pdf Restricted to Repository staff only Download (85kB) | Request a copy |
|
|
Text (BAB II)
repository BAB-2.pdf Restricted to Repository staff only Download (250kB) | Request a copy |
|
|
Text (BAB III)
repository BAB-3 .pdf Restricted to Repository staff only Download (146kB) | Request a copy |
|
|
Text (BAB IV)
repository BAB-4.pdf Restricted to Repository staff only Download (512kB) | Request a copy |
|
|
Text (BAB V)
repository BAB-5.pdf Restricted to Repository staff only Download (154kB) | Request a copy |
|
|
Text (LAMPIRAN)
repository Lampiran .pdf Download (2MB) | Preview |
|
|
Text (JURNAL)
Artikel Ilmiah_iis juniati (juli 2026).pdf Download (584kB) | Preview |
|
|
Text (JURNAL TURNITIN)
Skripsi Iis Juniati_JULI.pdf Restricted to Repository staff only Download (15MB) | Request a copy |
Abstract
This study aims to uncover and analyze the representation of gender role dynamics within the domestic sphere as constructed in the film “A Brother and 7 Siblings”. Socially, domestic roles and caregiving responsibilities are still rigidly associated with women. However, this film presents a narrative anomaly through the portrayal of a single male character who takes over domestic responsibilities following a family crisis. The research employs a descriptive qualitative method using Sara Mills’ Critical Discourse Analysis (CDA) framework as the analytical approach. This framework examines the filmic text through three major encapsulations: the position of the subject, the position of the object, and the position of the audience/reader. Primary data were obtained from nine crucial scenes in the film “A Brother and 7 Siblings”, selected through documentation techniques and non-participant observation based on the criteria of domestic-public interactions of the main character. Data validity was tested through source triangulation, theory triangulation, and persistent observation. The findings reveal that “A Brother and 7 Siblings” successfully performs a radical deconstruction of conventional domestic authority. The character Moko is constructed as the main subject who actively adopts caregiving functions, protection, and even the enforcement of the family’s moral and financial sanctions. The consistency of Moko domestic activities becomes a concrete manifestation of the “Doing Gender” practice proposed by West and Zimmerman, proving that masculinity is not a rigid biological entity but rather an adaptive social achievement. In contrast, the nieces/nephews and the character Gadis are positioned as passive-dependent objects that reinforce the urgency of Moko leadership. From the audience’s perspective, the text tactically guides viewers to validate the concept of father involvement and adopt the values of a new (transformational) masculinity. Moko personal sacrifices are not interpreted as a failure of masculinity, but instead as a form of sociological resilience within the sandwich generation. This study concludes that the discourse within the film successfully merges the roles of breadwinner and caregiver in a male figure without eliminating his masculine identity.
| Item Type: | Thesis (Undergraduate) |
|---|---|
| Uncontrolled Keywords: | Gender Roles, Domestic Space, 1 Kakak 7 Ponakan, Sara Mills’ Critical Discourse Analysis. |
| Subjects: | H Social Sciences > HM Sociology |
| Divisions: | Fakultas Ilmu Sosial dan Ilmu Politik > Program Studi Ilmu Komunikasi |
| Depositing User: | 1152200068 Iis Juniati |
| Date Deposited: | 03 Nov 2026 06:14 |
| Last Modified: | 09 Nov 2026 01:47 |
| URI: | http://repository.untag-sby.ac.id/id/eprint/46248 |
Actions (login required)
 |
View Item |
